Dam Removal and Indigenous Issues in Disney's "Frozen"

Dam Removal and Indigenous Issues in Disney's "Frozen"

December 13th, 2019 , Posted by Marty Brown

Peter Brewitt(Massive spoilers ahead for Frozen 2. Also Frozen. This should be fine because, to judge by ticket sales, you’ve probably already seen them.)

I have two daughters, but for the last few years, I’ve felt like I have four: Penny and Lupin, princesses of House Brewitt, and Anna and Elsa, princesses of Arendelle. I know I’m not alone in this—Anna and Elsa have joined many, many families. The first thing my older daughter wanted to be when she grew up was an Elsa. My younger daughter has only just turned two but demanded a toothbrush with Anna on it and totes around a stuffed Olaf (the snowman) instead of a teddy bear. I know all of the songs by heart. So of course, when Frozen 2 hit theaters, we (except for the two-year-old) went to see it immediately. I really liked it, but I did not expect it to be about environmental interest groups, political framing, and dam removal. Which is to say, my book.

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Illustrator M. L. Herring: Exploring Oregon with Ellie and Ricky

December 10th, 2019 posted by Isaiah Holbrook

In today's blog post, coauthor and illustrator M.L. Herring gives a glimpse into the progression of a few of her illustrations featured in the Ellie and Ricky series (co-written with Judith L. Li). She also shares some of Ellie and Ricky’s various adventures throughout the series and highlights the ways their journeys have been integrated in the classroom and beyond. 


Armistice Day in Centralia—100 Years Later

November 7th, 2019 posted by Marty Brown

This Monday, November 11, marks the 100th anniversary of an infamous event in Pacific Northwest history known variously as the Centralia Tragedy, the Centralia Massacre, the Armistice Day Riot, or the Armistice Day Tragedy. Whatever name it goes by, a day that began with fanfare and parades in celebration of the first anniverary of Armistice Day ended in violence and six deaths, as members of the American Legion squared off against members of the International Workers of the World labor union (IWW, or Wobblies). In today's blog post, historian Aaron Goings provides background, context, and an excerpt from The Red Coast: Radicalism and Anti-radicalism in Southwest Washington, which he coauthored with Brian Barnes and Roger Snider.

Author Marcy Houle on Creating a Coalescence of Values in Oregon

November 5th, 2019 posted by Marty Brown

Our University Press Week blog tour post features author Marcy Cottrell Houle, whose new book, A Generous Nature, celebrates some of the individuals and institutions behind the state’s progressive land-use policies.

Below, she elaborates on her motivations for writingA Generous Natureand her aspirations for Oregon’s future generations.

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Many authors envision writing a bestseller. Some harbor a wish to have their work become required reading in academic circles. Still more long for stellar reviews in the New York Times or the Economist.

Rabbit Holes, Coca-Cola, and Time: Joseph Taylor III’s Research Process

November 1st, 2019 posted by Ashley Hay

Joseph E. Taylor III is a professor of history and geography at Simon Fraser University. He earned his degrees at the University of Oregon and University of Washington, and his research investigates the intersection of social and ecological systems in the fisheries, outdoor recreation, gentrification, conservation, and politics of the North American West. He is the author of the recently released Persistent Callings: Seasons of Work and Identity on the Oregon Coast, which explores the history of seasonal labor and intertwined industries in the Nestucca Valley.Ashley: Did you have the idea for the book first, and then begin your research, or did you start accumulating research, and then decide to put it together into a book?Joseph: First of all, there’s never a plan. I am always living on Plan B or Plan C, whatever. In this case it’s a particularly shaggy dog story because I started this project in 1988 in an undergraduate seminar, extended as an honors thesis, and then promptly forgot it. Three years ago, a neighbor out of the blue suggested publishing it to make some money for a scholarship fund. The Nestucca Valley has a very low rate of sending kids to college. I thought that was a good idea, but it required a lot of work to transform it into a book, including many rabbit holes. So, I backed into this project, but that’s the story of everything I’ve ever done. Ashley: What were some of these rabbit holes? Do you have any examples?Joseph: Employment data, voting records—there were just a whole bunch of themes that still needed exploring. The thirty years between when I defended my honors thesis and right now has included a really tragic story of what’s happened to the rural West in general, and rural Oregon in particular. It includes stories about meth and opiate addiction and what economists call “deaths of despair.” Plus, I had to wrap my brain around the gentrification of the Nestucca Valley, especially the Pacific City/Neskowin area. And all those were stories that simply had not yet happened the first time around. Then, when I was done with the research, I had to rewrite everything because I’m a different writer now than I was as an undergraduate. Ashley: A different writer in what sense?Joseph: Better! There were moments when reading my undergraduate prose was really painful. I wrote a hundred-and-thirty-page honors thesis in nine days flat. I basically took spring break, kicked my roommate out of the dorm, cranked up the music, and wrote nonstop while living off of Track Town pizza and Coca-Cola. Ashley: So I imagine your writing process is a little bit different now.Joseph: Not that much, really. I wrote my dissertation on Coca-Cola and Hostess Fruit Pies, as well as my first book. The second book was sustained by Snickers and Coca-Cola. You can see the constant. Coke was big this time around as well. Ashley: Do you have any other traits or qualities that have helped with this kind of work?Joseph: Well, the most important thing for this project was dropping out of school and spending ten years climbing and fishing and living in the Nestucca Valley. That’s really important because it gave me a baseline understanding of the temperament of a place and the complexity of small-town life. But it also gave me the passion to carry this through. Ashley: Do you think it’s important for other researchers who are doing similar projects to immerse themselves in that region the way that you have?Joseph: It helps to see the landscape but also interact with people enough to get a sense of who lives in this world and how it works. Because the past is a different country. The past really is a different place you’re trying to write about. You can’t simply extrapolate back from your own experiences. So, yeah, I think you have to embed yourself at some level for some period. I know many people who go to see landscapes, but they don’t really interact enough, in my mind, with the people. Especially for a book like this which is so people-driven, I think you have to have some sense of that. Ashley: How did you draw stories out from the people you interviewed?Joseph: I simply asked questions and let them go. With many it took two or three interviews. They needed a comfort level and, in most cases, it helped that people were vouching for me before I went in, saying, “This is not a stranger; this is not an outsider.” And I am absolutely certain that made a huge difference in terms of willingness of some residents even to talk to me. Ashley: What else did you do to set them at ease?Joseph: In every case it started without the recorder. There were cases where we spoke two or three times before they said, “Okay, now you can start the recorder.” I had specific questions, but I let them go where they wanted because what they said was important to them and that’s what mattered. It became easier when I realized I had some baseline data and that they were as likely as not to err on certain facts. I realized that I would need a variety of research methods, basically, to nail down anything. Ashley: If you had to give one piece of advice to other scholars who plan on writing similarly research-heavy books like your own, or books about a specific region, what advice would you give them?Joseph: One of the advantages of waiting so long after the honors thesis for publication is that I had time to mull over what I had. The single best example is that is when I finally came back to it, what I thought was a history of the fisheries was much more about the entanglements among the valley’s many industries. I was able to see a story of seasonal labor that nobody has actually ever told. I had one of those idiot epiphanies, where I sat back and suddenly realized, “Why didn’t I ever see this?” It took me twenty-eight years to get to that point, so a scholar’s greatest resource is not necessarily money, but time. Having the time to actually think about what we have, and not rushing to judgment on things: I think that’s the best advice I can give.

An Inside Look at "Sporting Oregon: A Pictorial History of Early Oregon Sports"

October 22nd, 2019 posted by Isaiah Holbrook

In Sporting Oregon: A Pictorial History of Early Oregon Sports, Brian S. Campf presents a slice of history--spanning over twenty-five years--through photographs related to Oregon sports. Campf tracks the development and popularity of sports such as baseball, football, basketball, horse racing, track, hockey, tennis, and cricket, incorporating various artifacts along the way. Though the progression of many sports unfolded on a national level, Sporting Oregon provides local context and rich detail about the history of sports in the state.

An interview former US Congressman Les AuCoin

October 10th, 2019 posted by Marty Brown

We’re starting off the beginning of fall by celebrating one of our new releases! Former US Congressman Les AuCoin’s debut memoir, Catch and Release: An Oregon Life in Politics, explores the intricacies of power, privilege and the importance of fighting for your community. Today on our blog, AuCoin—first Democrat to hold a seat in Oregon’s First Congressional District—shares with OSU Press interns Isaiah Holbrook and Ashley Hay the purpose of memoir writing, the current state of mass media, and the search for balance between personal and political narratives.

OSU Press Author David Oates: What is This Tremendousness?

October 8th, 2019 posted by Ashley Hay

mountains of parisDavid Oates is a writer and teacher currently based in Portland, Oregon. He’s the author of two books of poetry and five works of nonfiction, including his most recent memoir, The Mountains of Paris. He was a Kittredge Distinguished Visiting Writer at the University of Montana and is founder and general editor of Kelson Books in Portland, Oregon. Here, he introduces an excerpt from The Mountains of Paris.

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